EUROPES GREEN LUNGS ARE IN DANGER.

BUT WHAT CAN WE DO?

  • VOTE for the EU Parliament

    The EU has pledged to protect its last old-growth and primary forests by 2030. But current policies often do the opposite. Under the Renewable Energy Directive, burning wood is still counted as “carbon neutral”. This makes up nearly 60% of Europe’s renewable energy mix (Joint Research Centre, 2019), supported by billions in subsidies.

    The problem: burning wood releases more CO₂ than coal, and forests take 60+ years to regrow — delaying climate neutrality for generations (Searchinger et al., 2009; Moomaw et al., 2020). At the same time, logging — legal and illegal — continues to eat away at Europe’s last primary forests, especially in Romania’s Carpathians (Knorn et al., 2013; Ceccherini et al., 2020).

    Why it matters for voters:

    • Push for an end to subsidies that treat biomass as renewable energy.

    • Demand binding EU protection for all remaining old-growth forests.

    • Support politicians who take forest protection seriously, not just on paper.

    Europe’s climate future depends not on planting more trees, but on protecting the ancient forests we still have.

  • Donate to the right organisations!

    While voting is one way to influence forest policy, we can also support the organisations working every day to protect Europe’s last old-growth and primary forests.

    Support can take many forms:

    • Donate – help fund their projects or staff.

    • Become a member – join and participate in their campaigns.

    • Volunteer – give your time and skills where they’re needed.

    • Get involved – spread awareness and stand with those defending the forests.

    Every contribution, big or small, strengthens the movement to keep these ancient forests alive.

  • While big brands like IKEA market their products as sustainable. It’s a fallacy to assume that wood furniture are automatically sustainable. IKEA is in fact on of the biggest single consumer of wood in the world owning huge amounts of forest in Romania alone. They are not even applying to the minimum standard of forest sustainability. Critics and reports are increasingly finding violations of claimed sustainability practices and standards.

  • Be critical of pellet heating solutions. Though often marketed as green, it is difficult to verify the true source of the wood. Pellets may come from cutting and grinding whole trees, releasing more CO₂ than coal when burned. Since forests take decades to regrow, the climate damage is immediate.

    Instead, look for truly climate-friendly alternatives — solutions such as solar or hydro power that do not rely on burning biomass.

GET ACTIVE WITH US!

DRAW NOW & PROTECT ROMANIAN FOREST!

After more than two years of documenting, we realised that raising awareness through a movie is not enough. We need to get active. We raise money to save land with valuable primary forest on it. Through this interactive map, you can choose your individual parcel of forest. On the “1st NOV 2025” we transform all the donations into ecologically important forest in Romania. Every donation is certified.

  • A hectar forest costs between 3000-8000 € in Romania, depending on location, forest age and accessibility. Our plan is not to aim for the oldest forest, those make only 4% of the romanian forest and are often already protected. Instead we buy forest around these precious old forests to create buffer zones for plants and animals. The forest is carefully choosen with the help of forest engineer and local representation Silviu from the NGO Agent Green.

  • Flamingo Future Foundation e.V. is a non-profit association founded by us (Philipp, Joscha, Johannes, Max) to be able to do more! We already make films on environmental & social topics but now it´s the time to take these topics into reality and get active! With Flamingo Future Foundation we actually are able to raise money and realize environmental projects we believe in.

BLOOD WOOD is a film about Romania’s endangered wild forests. They are the last refuge of Europe’s untouched nature. Yet Europe is sacrificing these green lungs for sustainable labeled wood products and renewable energy. A film between the beauty of Europe’s ancient forests and the ruthless exploitation for profit.

SHORT INFOS ON TOPICS AROUND WOOD

  • A primary forest is a forest that has never been cut down or replanted. Sometimes called “virgin” or “old-growth” forest, it has developed naturally for centuries, shaped only by wind, water, living organisms, insects, wildlife and time — not by people. These forests are special because they hold a unique mix of plants, animals, and ecosystems that cannot be recreated once lost. They are the only living reference left to a natural world without humans.

    In Europe, however, these forests are still undervalued and face serious threats from deforestation and weak protection policies (Ceccherini et al., 2020; Moomaw et al., 2020; Sabatini et al., 2020; Sabatini et al., 2021).

    Rising deforestation is widely overlooked and rarely part of public debate (Knorn et al., 2013; Potapov et al., 2017; Ceccherini et al., 2020). The Carpathian Mountains in Romania are especially important: they host some of the largest and richest primary forests left in Europe, yet they are exceptionally endangered by logging and poor protection (Knorn et al., 2013; Sabatini et al., 2018; Schickhofer & Schwarz, 2019).

  • Logging is the cutting and removal of trees from forests for timber, paper, or fuel. While it supplies everyday materials, it can be highly destructive. Forests grow slowly and need centuries to regrow.

    Europe still does not have a consistent inventory of its primary forests. Mapping efforts are patchy and incomplete (Veen et al., 2010; Barredo et al., 2021), and in Romania many forests are destroyed before they can even be recorded and protected (Mikoláš et al., 2023). To address this, scientists created the European Primary Forest Database, which shows that the Carpathians are a vital stronghold for these ecosystems (Sabatini et al., 2018; Sabatini et al., 2021).

    At the same time, there is a striking gap between estimates. Independent researchers identified around 500,000 hectares of potential old-growth forests in Romania (Schickhofer & Schwarz, 2019), while official numbers recognize only about 70,000–80,000 hectares (Nicolescu, 2023). This gap highlights how urgently potential primary forests need assessment and proper mapping.

  • From fast furniture to wood pellets for energy, demand for wood has never been higher. In Europe, biomass already makes up about 60% of renewable energy use, mostly from burning wood for heat and power (Joint Research Centre, 2019; Joint Research Centre et al., 2021). While this is labelled as “green,” scientists warn it often increases the carbon footprint, since burning wood releases more CO₂ per unit of energy than coal or gas (Searchinger et al., 2009).

    Another problem is forest regrowth cycles: it can take more than 60 years for new trees to absorb the carbon lost when mature forests are cut, which means that climate neutrality is massively delayed (Moomaw et al., 2020) - time we do not have. 

    “Forests are not sustainable wood sources - only single trees are”

    If an old-growth forest is altered to become a productive plantation of trees for timber, the biodiversity is largely destroyed. While trees regrow the original forest ecosystem is lost.

    Logging for biomass and cheap, disposable furniture accelerates the destruction of Europe’s last primary forests - what seems like affordable design or clean energy often hides a heavy climate and biodiversity cost (Sheffield, 2021), (Knorn et al., 2013; Ceccherini et al., 2020).

OUR MOTIVATION

Max was on his way to one of Romania’s forests with Silviu Moldovan when we (Johannes and Joscha from El Flamingo) called: “We heard you are scouting and researching for a documentary in the Romanian forests. Do you want to make this film together?” Almost three years later, the team is still developing and growing ideas on how to protect these wild forests. We spent many weeks on several trips to Romania. Since that first phone call, the project has changed, we have changed, and sadly the forests have changed too — mostly in size. But one thing has not changed: our mission. There is nothing good unless you do it. — we want to protect these forests and keep them alive for future generations.

For this mission, Max and El Flamingo joined forces in an unconventional way: no up-front funding, no publisher, just a small team. El Flamingo is a creative team specialised in outdoor brand content with an unconventional style. Max, with an academic background in Geography, has produced journalistic video contributions on forestry issues for national TV in Germany and the European Parliament. The result is a project that is both a film and a movement. The first screening in Romania featured an outdoor exhibition in the forest, a forest tour, and a three-day workshop. To secure long-term protection, we founded the Flamingo Future Foundation e.V., raising money to save forests parcel by parcel. Looking ahead, we want to carry the momentum forward and expand into other social and environmental projects.

BLOOD WOOD PREMIERE & PHOTO EXHIBITON

Agent Green Activist Camp May 2025 Retezat National Park, Romania

We wanted to show the film in Romania first — to Romanians. We drove from El Flamingo’s headquarters in Germany all the way to Romania in 20 hours, carrying the prints, the screening file, and pure excitement. The premiere weekend brought together experts in forest protection and policy. We hosted a photo exhibition right in the forest, surrounded by the very landscape the work is about, and featuring several local artists who explore the theme of Romania’s wild forests. Joining us were two scientists, who also guided us through the wild forests of the area. The screening and panel discussion gave us valuable feedback and momentum, helping us connect and share with people directly involved in the field.

CREDITS

WITH RHIANNON GLOOR, GABRIEL PAUN & SILVIU

CREATED BY JOSCHA KOTLAN & JOHANNES MÜLLER

ORIGINAL IDEA & CO-DIRECTED BY MAX IHLENBURG

ART DIRECTION BY LEON PRELLER

PRODUCED BY EL FLAMINGO

SOUNDTRACK BY FABIAN SIETHOFF